{"id":9115,"date":"2019-07-11T06:30:50","date_gmt":"2019-07-11T10:30:50","guid":{"rendered":"https:\/\/lepetitseptieme.ca\/?p=9115"},"modified":"2019-07-11T09:32:00","modified_gmt":"2019-07-11T13:32:00","slug":"a-trip-to-cinecitta-behind-the-italian-cinema","status":"publish","type":"post","link":"https:\/\/lepetitseptieme.ca\/en\/2019\/07\/11\/a-trip-to-cinecitta-behind-the-italian-cinema\/","title":{"rendered":"A Trip to Cinecitt\u00e0 \u2013 Behind the Italian cinema"},"content":{"rendered":"

\u00ab\u00a0Il cinema \u00e8 l\u2019arma pi\u00f9 forte.\u00a0\u00bb<\/span><\/i>
\n<\/span><\/i>[<\/span>Cinema is the most powerful weapon.<\/span><\/i>]<\/span>
\n<\/span><\/i>\u2013\u00a0Benito Mussolini<\/span><\/p>\n

The United States have Hollywood; Italy has Cinecitt\u00e0. Even if the latter is less known in North America, we can say it competes with Hollywood, fulfilling Mussolini\u2019s original wish. Being the stage for more than 3,000 films, including well-known movies and Oscar nominees (<\/span>Life is Beautiful<\/span><\/i>, for example), Cinecitt\u00e0 now ranks with its American counterpart.<\/span><\/p>\n

Staying in Rome to prepare <\/span>Italy In short!<\/span><\/i>, Le Petit Septi\u00e8me has had the chance to visit the Cinecitt\u00e0 production studios and invites you to a behind the scenes of Italian cinema.<\/span><\/p>\n

A short history of Cinecitt\u00e0<\/h4>\n
\"Cinecitta<\/a>
The entrance<\/figcaption><\/figure>\n

Inaugurated in 1937 by Benito Mussolini with the famous quote “Il cinema \u00e8 l\u2019arma pi\u00f9 forte”, Cinecitt\u00e0 was fundamentally a tool for fascist propaganda, a means of promoting Italian culture throughout the world. In fact, between 1937 and 1943, the 279 films that were shot there were all subject to Mussolini\u2019s censorship and showed a postered image of Italy. Neo-realism was borned in response to this censorship. Several directors, such as Luchino Visconti and Roberto Rosselini, seek to show what real life looked like in the post-war years. Although neo-realism died in 1952, the Italian cinema of the following decades retained a tendency towards social issues.<\/span><\/p>\n

\"ROMA\u00a9ErmaProduction<\/a>
Roma<\/figcaption><\/figure>\n

But Cinecitt\u00e0 did not only gave birth to neo-realistic movies. Between 1950 and 1965, many american movies were shot there, especially those which showed Ancient history (<\/span>Quo Vadis<\/span><\/i>, 1951, <\/span>Ben Hur<\/span><\/i>, 1959, <\/span>Cleopatra<\/span><\/i>, 1963). Cinecitt\u00e0 became so popular among american producers that it got the nickname \u201cHollywood on the Tiber\u201d. Nowadays, you cannot shoot a film that takes place in the Ancient world elsewhere. American series Rome<\/em> (2005-2007) is one of many productions that were shot there.<\/span><\/p>\n

Originally designed by Gino Peressutti, the 40-hectare architectural complex, which contains 21 different studios,\u00a0 allows now to produce more than 50 films a year. Cinecitt\u00e0 owns, by the way, the largest studio in Europe, the studio 5, which is 2800 square meters.<\/span><\/p>\n

\"Cinecitta<\/a><\/h4>\n

Journal of visit<\/h4>\n

Although Cinecitt\u00e0 is in Rome, it looks like an urban oasis in the middle of the Italian countryside. To get there, you must take the metro line A to the penultimate station. Fortunately, the metro station is really close to the entrance nowadays. Located in the neighborhood of the Parco degli acquedotti, an immense field where are the ruins of the ancient aqueduct, it was rather difficult to reach at the time of its construction. A special streetcar needed to bring in workers and artists!<\/span><\/p>\n

\"Cinecitta<\/a>When entering the site, what we see is the beauty of the place. The sleek architecture of Gino Peressutti blends perfectly with the umbrella pines that shade the terrace of the caf\u00e9, the small children’s park created by the giant letters forming the word “cinecitt\u00e0” and the iconic sculptures used in different films.<\/span><\/p>\n

\"GERUSALEMME2\u00a9ErmaProduction<\/a>
Gerusalemme<\/figcaption><\/figure>\n

The guided tour then shows the visitor various films settings, be it the popular streets and the political center of Ancient Rome, recreated for the TV series <\/span>Rome<\/span><\/i>, or the temple of Jerusalem, which served in particular for <\/span>The Passion of the Christ <\/span><\/i>(Francesco Frigeri, 2004). The authentic aspect of these reconstructions is striking: we could not guess that these sets are actually made of fiberglass, which makes them waterproof, but never as durable and solid as the stone they imitate. Fun fact: it was necessary to employ 40 painters during two months to recreate the colors of the temple stone… which we see for 5 minutes in the movie!<\/span><\/p>\n

La fabbrica dei sogni (The dream factory)<\/h4>\n

\"poster-film-dolce-vita\"<\/a>No doubt, Cinecitt\u00e0 is really a dream factory, as director Federico Fellini has nicknamed it. Cinecitt\u00e0’s story is indeed closely related to Fellini\u2019s. The director shot numerous films there (<\/span>8 \u00bd<\/span><\/i>, 1963, <\/span>Roma<\/span><\/i>, 1972, <\/span>Casanova<\/span><\/i>, 1976), such as the famous <\/span>La Dolce vita<\/span><\/i> (1959), for which Rome\u2019s Via Veneto has been fully recreated in Cinecitt\u00e0\u2019s studios. A copy of Venice has even been built in the studio 5 for <\/span>Casanova<\/span><\/i>, thanks to its two undergrounds that can be filled with water. Do not be afraid, the Trevi Fountain you see in <\/span>La Dolce vita<\/span><\/i> is indeed Rome’s! What you do not know, however, is that the scene was shot in February, a rather cold month, even in Rome, to avoid the hordes of tourists who usually mass there…<\/span><\/p>\n

Fellini loved working at Cinecitt\u00e0 so much that he asked for a small studio where he could live and receive artists with whom he worked. In tribute to this renowned Italian director, one of Cinecitt\u00e0\u2019s buildings bears his name today.<\/span><\/p>\n

Cinecitt\u00e0 si mostra<\/h4>\n
\"Sala<\/a>
Sala Fellini<\/figcaption><\/figure>\n

The exhibition <\/span>Cinecitt\u00e0 si mostra<\/span><\/i>, opened in 2011, begins in the palazzina Fellini. The exhibition first traces the history of the construction of the architectural complex and emphasizes the importance of Fellini in the history of Italian cinema and Cinecitt\u00e0 itself.<\/span><\/p>\n

The exhibition then goes on in the Palazzina presidenziale, where the visitor follows the history of Italian cinema, from 1937 to today. He is then invited to see the backdrop of a film production in the interactive rooms devoted to costumes, soundtrack, dubbing or even post-production. The guided tour and the exhibition <\/span>Cinecitt\u00e0 si mostra<\/span><\/i> are accessible and will please both amateurs and neophytes. Children can even explore cinema thanks to the educational programs set up by the institution and its small building Cinecitt\u00e0 dei bambini.<\/span><\/p>\n

***<\/span><\/p>\n

In short, during your next stay in Rome, a detour to Cinecitt\u00e0 is essential. If you are a movie fan, or if you do not know much about it, <\/span>Cinecitt\u00e0 si mostra<\/span><\/i> will charm you and give you, as it did for us, an irresistible desire to come back to the Italian cinema. No doubt, this trip to Cinecitt\u00e0 was a great foretaste for <\/span>Italy In Short!<\/span><\/i>… which begins on August 9th!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0Il cinema \u00e8 l\u2019arma pi\u00f9 forte.\u00a0\u00bb [Cinema is the most powerful weapon.] \u2013\u00a0Benito Mussolini The United States have Hollywood; Italy has Cinecitt\u00e0. Even if the latter is less known in North America, we can say it competes with Hollywood, fulfilling Mussolini\u2019s original wish. Being the stage for more than 3,000 films, including well-known movies and […]<\/p>\n","protected":false},"author":13,"featured_media":9109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5162],"tags":[7874,7876,7878,7880,7872,7882],"class_list":["post-9115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-benito-mussolini-en","tag-cinecitta-en","tag-federico-fellini-en","tag-gino-peressutti-en","tag-hollywood-on-the-tiber","tag-rome-en"],"acf":[],"yoast_head":"\nA Trip to Cinecitt\u00e0 \u2013 Behind the Italian cinema - 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