{"id":59403,"date":"2026-05-26T07:00:00","date_gmt":"2026-05-26T11:00:00","guid":{"rendered":"https:\/\/lepetitseptieme.ca\/?p=59403"},"modified":"2026-05-25T16:27:17","modified_gmt":"2026-05-25T20:27:17","slug":"cannes-closing-ceremony-and-2026-winners","status":"publish","type":"post","link":"https:\/\/lepetitseptieme.ca\/en\/2026\/05\/26\/cannes-closing-ceremony-and-2026-winners\/","title":{"rendered":"[Cannes] Closing Ceremony and 2026 Winners"},"content":{"rendered":"\n
The 79th edition of the Cannes Film Festival has come to a close, and the closing ceremony marked the end of this year’s event by honoring its various winners. A look back at Le Petit Septi\u00e8me\u2019s very first edition on-site in Cannes!<\/p>\n\n\n\n
This year’s festival was marked by the controversy surrounding Canal+, which consistently made headlines throughout the 11 days of competition, but also by outstanding films from inspired directors.<\/p>\n\n\n\n
Controversy <\/strong><\/h3>\n\n\n\n
Initially brushed off by Bollor\u00e9, the situation quickly transformed into a growing controversy, hitting the front page of the magazine Lib\u00e9ration with a petition denouncing certain practices and positions tied to the influence of the Canal+ group. The issue reached a new level when public statements from Maxime Saada (President of Canal+) defended the group’s stance, declaring that they would no longer work with the signatories of the petition.<\/p>\n\n\n\n
In the final days, a legal decision was brought against Canal+: the Ligue des droits de l\u2019Homme and the CGT Spectacle took the group to court for discrimination against the signatories of the anti-Bollor\u00e9 petition. To be continued…<\/p>\n\n\n\n
Crucial choices <\/strong><\/h3>\n\n\n\n
The jury for this 79th edition, chaired by South Korean director Park Chan-wook, brought together several major figures from international cinema. Their task was far from simple, given how rich and competitive the selection proved to be. Faced with the high quality and diversity of the works in competition, the jurors had to make some very delicate decisions.<\/p>\n\n\n\n
This difficulty was reflected in the awards list, which was more generous than usual, with no fewer than six prizes awarded instead of three in some of the major categories. The jury sought to honor both acting performances\u2014by handing out awards for best male and female roles\u2014and directorial work, by rewarding filmmaking technique.<\/p>\n\n\n\n
This choice is entirely understandable regarding the acting prizes, as the honored actors shared the screen in the same film. The decision underscores the power of these duos’ performances and how they complement one another, rather than privileging a single individual performance.<\/p>\n\n\n\n
Nevertheless, the decision to award two prizes for Best Director feels a bit more debatable in my opinion: even if the winning films possess genuine qualities, this split choice slightly dilutes the prestige usually associated with this distinction. It remains, however, an understandable decision given the exceptionally high caliber of the films in competition.<\/p>\n\n\n\n
The Awards<\/strong><\/h3>\n\n\n\n
Best Screenplay <\/strong><\/h4>\n\n\n\n
The Best Screenplay award went to Emmanuel Marre\u2019s Notre salut<\/em>. <\/p>\n\n\n\nSwan Arlaud as Henri Marre in <\/em>Notre salut<\/figcaption><\/figure>\n\n\n\n
Personally, this choice leaves me unsatisfied, as the film\u2014with its singular style crossing multiple genres\u2014undoubtedly deserved an even higher spot in the rankings. Its bold writing and ability to blend different tones make it a truly distinct work in this selection.<\/p>\n\n\n\n
Best Performance <\/strong><\/h4>\n\n\n\n
When it came to the acting awards, the jury chose to reward duos sharing the screen. For Best Actor, Emmanuel Macchia and Valentin Campagne were recognized for Lukas Dhont\u2019s Coward<\/em>, while Virginie Efira and Tao Okamoto took home Best Actress for Ryusuke Hamaguchi\u2019s Soudain<\/em>. This decision highlights the strength of ensemble acting; here, the performances do not merely respond to one another\u2014they complement each other and give the film its full emotional depth. <\/p>\n\n\n\nTao Okamoto and Virginie Efira in <\/em>Soudain<\/figcaption><\/figure>\n\n\n\n
In Soudain<\/em>, Virginie Efira is particularly impressive with the precision of her acting, even learning Japanese for the role, while Tao Okamoto, a French-speaking Japanese actress, delivers her lines with equal mastery.<\/p>\n\n\n\n
Best Director <\/strong><\/h4>\n\n\n\n
Regarding film direction, two movies were honored: <\/p>\n\n\n\nStill from the film <\/em>La bola negra<\/figcaption><\/figure>\n\n\n\n
Fatherland<\/em> by Pawe\u0142 Pawlikowski and La bola negra<\/em> by Javier Calvo and Javier Ambrossi. The former captivates through its formal rigor and sense of framing, faithful to the filmmaker’s minimalist style, while the latter stands out with a more flamboyant and inventive direction.<\/p>\n\n\n\n
Grand Prix <\/strong><\/h4>\n\n\n\n
The Grand Prix was awarded to Andrey Zvyagintsev\u2019s Minotaure<\/em>. <\/p>\n\n\n\nAndrey Zvyagintsev\u2019s <\/em>Minotaure<\/figcaption><\/figure>\n\n\n\n
True to his demanding style of filmmaking, the director delivers a dark and powerful work, exploring human flaws through masterful directing and a heavy atmosphere.<\/p>\n\n\n\n
Jury Prize <\/strong><\/h4>\n\n\n\n
The Jury Prize went to Valeska Grisebach\u2019s L\u2019aventure r\u00eav\u00e9e<\/em>. <\/p>\n\n\n\nValeska Grisebach\u2019s <\/em>L\u2019aventure r\u00eav\u00e9e<\/figcaption><\/figure>\n\n\n\n
This German film created a surprise, as no one had really bet on it, but it wins audiences over with its sensitivity and delicate approach to human relationships.<\/p>\n\n\n\n
Palme d\u2019Or <\/strong><\/h4>\n\n\n\n
Finally, the Palme d\u2019Or was awarded to Cristian Mungiu for Fjord<\/em> (review to come), nineteen years after 4 Months, 3 Weeks and 2 Days<\/em>. With this new film, the filmmaker confirms the consistency of his body of work, offering a narrative deeply rooted in contemporary themes.<\/p>\n\n\n\nRenate Reinsve and Sebastian Stan as a Catholic family in the film <\/em>Fjord<\/figcaption><\/figure>\n\n\n\n
During his speech, he reminded the audience that cinema “must speak about relevant things”, describing his film as “a message for tolerance, inclusion, and empathy.” Led by Renate Reinsve and Sebastian Stan, Fjord<\/em> establishes itself as a powerful and committed work, in perfect resonance with our times.<\/p>\n\n\n\n
Traduction par Fran\u00e7ois Grondin avec l’aide de Gemini.<\/em><\/p>\n\n\n\n
The 79th edition of the Cannes Film Festival has come to a close, and the closing ceremony marked the end of this year’s event by honoring its various winners. A look back at Le Petit Septi\u00e8me\u2019s very first edition on-site in Cannes! This year’s festival was marked by the controversy surrounding Canal+, which consistently made […]<\/p>\n","protected":false},"author":93,"featured_media":59376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[20833],"tags":[6196,33938,30680],"class_list":["post-59403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivals-coverage","tag-cannes-en","tag-cannes-2026","tag-palme-dor-en"],"acf":[],"yoast_head":"\n
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