{"id":28212,"date":"2022-02-15T15:30:00","date_gmt":"2022-02-15T20:30:00","guid":{"rendered":"https:\/\/lepetitseptieme.ca\/?p=28212"},"modified":"2022-02-15T15:12:36","modified_gmt":"2022-02-15T20:12:36","slug":"canadian-screen-awards-digital-media-the-nominees-are","status":"publish","type":"post","link":"https:\/\/lepetitseptieme.ca\/en\/2022\/02\/15\/canadian-screen-awards-digital-media-the-nominees-are\/","title":{"rendered":"Canadian Screen Awards – Digital Media: The nominees are\u2026"},"content":{"rendered":"\n

Best Web Program or Series, Fiction<\/strong><\/h3>\n\n\n\n

Sponsor | Independent Production Fund<\/strong><\/h4>\n\n\n\n

21 Black Futures
(Obsidian Theatre)
Mumbi Tindyebwa Otu, Lucius Dechausay, Fatuma Adar, Michael Sinclair, Myekah Payne, Grazyna Krupa<\/p>\n\n\n\n

The Communist’s Daughter
(LoCo Motion Pictures)
Lauren Corber, Leah Cameron, Natalie Novak Remplakowski<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Julian De Zotti, Jonas Diamond, Lisa Baylin<\/p>\n\n\n\n

Next Stop
(Scarborough Pictures)
Amar Wala, Jabbari Weekes, Tichaona Tapambwa, Phil Witmer<\/p>\n\n\n\n

Querencia
(11998862 CANADA INC.)
Jessie Anthony, Mary Galloway<\/p>\n\n\n\n

Best Web Program or Series, Non-Fiction<\/strong><\/h3>\n\n\n\n

ET Canada Pride
(Entertainment Tonight Canada)
John Kampilis, Jodie Davis, Laura Carroll, Bob Pagrach, Stephen Krajinovic<\/p>\n\n\n\n

Farm Crime
(Big Cedar Films)
Geoff Morrison, Christina Carvalho<\/p>\n\n\n\n

Fatima In Kabul
(ChitChat Productions Inc.)
Brishkay Ahmed<\/p>\n\n\n\n

Royal Rewind
(Entertainment Tonight Canada)
John Kampilis, Jodie Davis, Laura Carroll, Bob Pagrach, Alyssa Croezen, Nadine Parker, Jamie<\/p>\n\n\n\n

Samhan
Your Two Cents
(Canadian Content Studios)
Jonathan Torrens, Sylvia Beirnes<\/p>\n\n\n\n

Best Direction, Web Program or Series<\/strong><\/h3>\n\n\n\n

21 Black Futures – 40 Parsecs and Some Fuel<\/em>
<\/em>(Obsidian Theatre)
Lucius Dechausay<\/p>\n\n\n\n

21 Black Futures – The Death News<\/em>
<\/em>(Obsidian Theatre)
Charles Officer<\/p>\n\n\n\n

The Communist’s Daughter – This Means War<\/em>
<\/em>(LoCo Motion Pictures)
Leah Cameron<\/p>\n\n\n\n

For the Record – Climax<\/em>
<\/em>(Anthology Productions \/ iThentic)
Sudz Sutherland<\/p>\n\n\n\n

Next Stop – Aftermath<\/em>
<\/em>(Scarborough Pictures)
Alicia K. Harris<\/p>\n\n\n\n

Best Writing, Web Program or Series<\/strong><\/h3>\n\n\n\n

21 Black Futures – The Death News<\/em>
<\/em>(Obsidian Theatre)
Amanda Parris<\/p>\n\n\n\n

21 Black Futures – Sensitivity<\/em>
<\/em>(Obsidian Theatre)
Lawrence Hill<\/p>\n\n\n\n

Farm Crime – Invasion of the Murder Hornets<\/em>
<\/em>(Big Cedar Films)
Kathleen S. Jayme<\/p>\n\n\n\n

Mass Hysterical: A Comedic Cantata
(Paradox Pictures Inc)
Carly Heffernan, Matthew Reid<\/p>\n\n\n\n

Your Two Cents – Working From Home<\/em>
<\/em>(Canadian Content Studios)
Jonathan Torrens<\/p>\n\n\n\n

Best Lead Performance, Web Program or Series<\/strong><\/h3>\n\n\n\n

21 Black Futures
(Obsidian Theatre)
Lovell Adams-Gray<\/p>\n\n\n\n

21 Black Futures
(Obsidian Theatre)<\/p>\n\n\n\n

Lisa Berry<\/p>\n\n\n\n

Broad Appeal
(Torbay Ponies Inc.)
Mary Walsh<\/p>\n\n\n\n

The Communist’s Daughter
(LoCo Motion Pictures)
Jessica Holmes<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Lyriq Bent<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Julian De Zotti<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Anna Hopkins<\/p>\n\n\n\n

Mass Hysterical: A Comedic Cantata
(Paradox Pictures Inc)
Colin Mochrie<\/p>\n\n\n\n

Best Supporting Performance, Web Program or Series<\/strong><\/h3>\n\n\n\n

21 Black Futures
(Obsidian Theatre)
Chelsea Russell<\/p>\n\n\n\n

The Communist’s Daughter
(LoCo Motion Pictures)
Nadine Bhabha<\/p>\n\n\n\n

The Communist’s Daughter
(LoCo Motion Pictures)
Zoe Cleland<\/p>\n\n\n\n

The Communist’s Daughter
(LoCo Motion Pictures)
George Stroumboulopoulos<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Karen LeBlanc<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Theresa Tova<\/p>\n\n\n\n

For the Record
(Anthology Productions \/ iThentic)
Maurice Dean Wint<\/p>\n\n\n\n

I am Syd Stone
(Rebel Road Films)
Benjamin Charles Watson<\/p>\n\n\n\n

Best Host, Web Program or Series<\/strong><\/h3>\n\n\n\n

2021 CAFTCAD Awards Show
(CAFTCAD)
Amanda Brugel, Steven McCarthy<\/p>\n\n\n\n

The 24th Annual Toronto Film Critics Association Awards
(C’mon Mort Productions)
Lainey Lui, Kathleen Newman-Bremang<\/p>\n\n\n\n

CBC Kids News COVID Explainer
(CBC Kids)
Saara Chaudry<\/p>\n\n\n\n

ET Canada Live
(Entertainment Tonight Canada)
Cheryl Hickey, Roz Weston, Sangita Patel, Carlos Bustamante, Keshia Chante, Morgan Hoffman<\/p>\n\n\n\n

The Toronto Sketch Comedy Festival Best of the Fest Award Show
(2021 The Toronto Sketch Comedy Festival)
Darrell Faria<\/p>\n\n\n\n

Best Live Production, Social Media<\/strong><\/h3>\n\n\n\n

The 24th Annual Toronto Film Critics Association Awards
(C’mon Mort Productions)
Ashleigh Rains, Bern Euler, R.T. Thorne<\/p>\n\n\n\n

ET Canada Live
(Entertainment Tonight Canada)
John Kampilis, Jodie Davis, Laura Carroll, Bob Pagrach, Katie Colley, Gavin Crisp, Alyssa Croezen, Sarah Curran, Mikael Melo, Kate Morawetz, Chandra Price, Jamie Samhan, Rachel West, Catherine Williams<\/p>\n\n\n\n

The Extra Hour – Tokyo 2020 Olympic Games
(CBC Sports)
Ryan Johnston, Sarah Jenkins<\/p>\n\n\n\n

Green Party Leadership Digital Special
(CBC News)
Vassy Kapelos, David Thurton, Eric Grenier, Tyler Buist, Heather Spiller, Natasha Ramnarine, Chris Carter<\/p>\n\n\n\n

Best Production, Interactive<\/strong><\/h3>\n\n\n\n

CBC Kids News Minecraft Back to School Special
(CBC Kids)
Lisa Fender, Jamie McMahon, Philip Street, Nina Corfu, Sabrina Fabian, Kat Go, Angelica Cooper, Taylor Katzel, India McAlister, Mia Rodak, Marie McCann<\/p>\n\n\n\n

Charity
(National Film Board of Canada in partnership with MOCA)
Parastoo Anoushahpour, Faraz Anoushahpour, Ryan Ferko, Jeremy Mendes, Rob McLaughlin<\/p>\n\n\n\n

Discriminator
(Imposter Media)
Brett Gaylor<\/p>\n\n\n\n

Far Away From Far Away
(National Film Board of Canada)
Michael Crummey, Bruce Alcock, Jeremy Mendes, Annette Clarke, Rob McLaughlin<\/p>\n\n\n\n

Best Immersive Experience – Non-Fiction<\/strong><\/h3>\n\n\n\n

Fossil Hunt
(Sinking Ship Entertainment)
Blair Powers, J.J. Johnson, Ronald Ruslim, Gavin Friesen, Mark Cautillo, Jermaine Williams, Sarah Imrisek, Kevin Gan, Alex Bethke, Alex Gordon, Britney Coates, Jung Yoon, Andrew Ebert, Adriano Bertuzzo, Geordie Telfer<\/p>\n\n\n\n

Space Explorers: The ISS Experience – Episode Two: ADVANCE
(Felix & Paul Studios)
Felix Lajeunesse, Paul Raphael<\/p>\n\n\n\n

Best Immersive Experience – Fiction<\/strong><\/h3>\n\n\n\n

Blasters of the Universe: Infinity Forever
(Secret Location)
Secret Location<\/p>\n\n\n\n

Paranormal Pest Patrol
(Secret Location)
Secret Location<\/p>\n\n\n\n

The Passengers
(Couzin Films & Les Produits Frais)
Ziad Touma<\/p>\n\n\n\n

Best Video Game Narrative<\/strong><\/h3>\n\n\n\n

Echo Generation
(Cococucumber Inc)
Martin Gauvreau, Vanessa Chia<\/p>\n\n\n\n

Rainbow Billy: The Curse of the Leviathan
(ManaVoid Entertainment)
Christopher Chancey, Kim Berthiaume, Pascal Nataf<\/p>\n\n\n\n

The Vale: Shadow of the Crown
(Falling Squirrel Inc.)
David Evans<\/p>\n\n\n\n

Wayfinder
(National Film Board of Canada)
Matt DesLauriers, Nicholas Klassen, Rob McLaughlin<\/p>\n","protected":false},"excerpt":{"rendered":"

Best Web Program or Series, Fiction Sponsor | Independent Production Fund 21 Black Futures(Obsidian Theatre)Mumbi Tindyebwa Otu, Lucius Dechausay, Fatuma Adar, Michael Sinclair, Myekah Payne, Grazyna Krupa The Communist’s Daughter(LoCo Motion Pictures)Lauren Corber, Leah Cameron, Natalie Novak Remplakowski For the Record(Anthology Productions \/ iThentic)Julian De Zotti, Jonas Diamond, Lisa Baylin Next Stop(Scarborough Pictures)Amar Wala, Jabbari […]<\/p>\n","protected":false},"author":2,"featured_media":28209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5162],"tags":[22402,22403,16823,22404],"class_list":["post-28212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-best-digital-productions","tag-best-series","tag-canadian-screen-awards-en","tag-digital-media"],"acf":[],"yoast_head":"\nCanadian Screen Awards - Digital Media: The nominees are\u2026 - Le petit septi\u00e8me<\/title>\n<meta name=\"description\" content=\"The finalists for the 2022 Canadian Screen Awards have been named. 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