{"version":"1.0","provider_name":"Le petit septi\u00e8me","provider_url":"https:\/\/lepetitseptieme.ca\/en\/","author_name":"Rachid Sellami","author_url":"https:\/\/lepetitseptieme.ca\/en\/author\/rachid\/","title":"[Cinemania] The Rapture \u2013 Toxic Beauty of Lies - Le petit septi\u00e8me","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KZdsg62V25\"><a href=\"https:\/\/lepetitseptieme.ca\/en\/2023\/11\/11\/cinemania-the-rapture-toxic-beauty-of-lies\/\">[Cinemania] The Rapture \u2013 Toxic Beauty of Lies<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/lepetitseptieme.ca\/en\/2023\/11\/11\/cinemania-the-rapture-toxic-beauty-of-lies\/embed\/#?secret=KZdsg62V25\" width=\"600\" height=\"338\" title=\"&#8220;[Cinemania] The Rapture \u2013 Toxic Beauty of Lies&#8221; &#8212; Le petit septi\u00e8me\" data-secret=\"KZdsg62V25\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/lepetitseptieme.ca\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/lepetitseptieme.ca\/wp-content\/uploads\/2023\/11\/Le-ravissement-Une-1024x576.jpg","thumbnail_width":600,"thumbnail_height":338,"description":"The Rapture engages not by its strength of suggestion, but by its ease of questioning. We remain suspended on these questions, lost in our emotions and in our feelings like the voice-over of Milos. And opposite our questions strike Lydia's silence, a delightful enigma."}